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Review: Doctor Who Series 7.5 Episode 7: Nightmare in Silver (Spoilers)

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In every series of Doctor Who, there comes a time when an old enemy must be revisited. Though the second half of Series 7 would seem to have fulfilled this requirement with “Cold War,” the episode focused on the Ice Warrior Skaldak, it was decided that Neil Gaiman‘s episode would be about the classic Cybermen. This had me worried for several reasons. In almost every episode of New Who that has featured these baddies, their stories have been near carbon copies of one another. They have been characterized by a lack of imagination in terms of plotting, and little to no evolution of the Cybermen themselves. Which is why “Nightmare in Silver was, hands down, the best Cyberman episode that we have had in a long, long time (as well as one of the best episodes of Who overall).

Doctor Who - Series 7BNeil Gaiman has said that the Cybermen had always been one of the scariest Who villains of his childhood. For this episode, he was tasked with restoring them to their former creepy glory, and succeeded admirably. These new Cybermen have lost the clanking, steampunk nature inherent in their previous iterations, and have become creatures of evolution. Reminiscent of the quickly-evolving tech industry of today, they adapt almost instantaneously to new weapons and obstacles and send out updates to every single soldier with the “patch.”

Hedgewicks-TicketThe episode takes place on a theme park planet called Hedgewick’s World of Wonders that was destroyed while humans battled Cybermen thousands of years prior. The Cybermen were vanquished, at the cost of the galaxy that they had inhabited. The entire galaxy that the Cybermen took over was obliterated. Scientific improbability aside, this is a new reaction to the Cyber threat – the futuristic version of total war. It shows ruthlessness – and a certain selflessness – present in the future human race that we have not seen often in Who.

486731_531756970193775_438965392_nThe Doctor takes Clara, as well as Angie and Artie – the two children for whom Clara is nanny – to the theme park, not expecting the devastation they find. A few soldiers remain on the planet to guard against a potential resurgence of their old foe. They also encounter a chess master with dwarfism named Porridge (played by Warwick Davis), who operates a seemingly defunct Cyberman to frighten people. The group readies to leave, but the Doctor decides last-minute to investigate the strange metal bugs infesting the place. These turn out to be Cybermites – tinier versions of the classic Cybermats – and partially convert Angie and Artie into walking coma patients, to be used to build more Cybermen later. And then the ‘mites find the Doctor.

Doctor-Who-713This is when Matt Smith shines as an actor. He is partially converted into the leader of the Cybermen, or the Cyberplanner, because of his extraordinary mind. However, the Doctor is strong, and a battle for supremacy over his body and brain ensues. The marvelous interior of the Doctor’s consciousness – where Doctor and Cyberplanner threaten and snarl at each other – is split between golden Gallifreyan lettering (on the Doctor’s side) and electric blue energy (on the Cyberplanner’s side). Finally, the two agree to play a game of chess for control over the Doctor’s body. Throughout this scene, Smith switches back and forth between Doctor and Cyberplanner (who has christened himself Mr. Clever), a seemingly endless dance of two incredibly intelligent foes. The two are simultaneously polar opposites and completely indistinguishable from one another, which was a frightening choice on Smith’s part and only emphasized his incredible acting prowess.

Mr. Clever is temporarily incapacitated when the Doctor slaps a golden ticket onto the circuitry on his face, because apparently the Cybermen still haven’t fixed that annoying weakness to gold and cleaning fluids. Meanwhile, Clara has taken charge of the soldiers – who turn out to be a nearly incompetent punishment platoon – as Cybermen reawaken from beneath the surface of the world. She and her motley army station themselves in a castle surrounded by a moat, and take stock of Clara_cyber_guntheir resources: one gigantic anti-Cyber gun; five hand pulsers which, when placed on the back of a Cyberman’s head, render them inert; and a bomb that has the capacity to blow up the planet. The Doctor joins Clara shortly with Angie and Artie in tow (still comatose yet able to walk). Clara ties him to a chair so that he can finish his chess game with Mr. Clever, then goes off to muster her troops. Continue reading

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Teasers and Theories for “The Name of the Doctor”

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Yes, the Doctor Who Series 7 finale airs tomorrow. So here’s a roundup of all the tidbits the BBC has decided to throw our way. Allons-y!

That…pretty much sums up every single episode of Doctor Who. However, we do know now that Madame Vastra (and by extension Jenny and Strax) are involved.

Strax Reports

This one has very little concrete information. The “psychic medium” of whom Strax speaks could be an important plot element…or not. I can’t help but wonder if this person has anything to do with the mysterious “woman from the shop” who gave the Doctor’s phone number to Clara.

Tea Party

Clara meets River, and there is an inevitable clash. And then Strax lets off with one of his carelessly obtuse one-liners. Oh, Strax. I sincerely hope the Paternoster gang gets their own spinoff sooner rather than later.

On to the TV trailer:

“I’m Clara Oswald, and I was born to save the Doctor.” Gives you shivers down your spine, doesn’t it? This strongly supports my theory regarding the Doctor’s new companion and her impossibility. I’ll discuss this after I’ve shown some more trailers. Also, the Great Intelligence has returned! Finally. I’m somewhat disappointed that he/she/it didn’t show up previously in the season (though perhaps there will be an “aha” moment when we realize that, in fact, everything that happened to the Doctor after he met Clara for the firstScreen Shot 2013-05-17 at 9.23.00 PM time was somehow engineered by the GI for some greater purpose).

At the very end, we see an odd column of writhing red electric tendrils in place of the TARDIS console that proceeds to explode (implode?). This could mean any number of things, seeing as we have no idea what it is. Perhaps the TARDIS has been cannibalized again. The fact that River tells Clara “whatever you’re thinking of doing…don’t” is somewhat worrying, as it implies that perhaps the two are being taken far away from the action to preserve their lives, somewhat like when the Ninth Doctor sends Rose back to her own time to spare her from the battle at Satellite Five in “Bad Wolf.” Though I really hope Moffat isn’t reusing that plot device…

She Said, He Said Prequel:

This is possibly the most intriguing promo/trailer thing that we have been awarded, because it is a window into both characters’ views on each other. I also enjoy it because it backs up my theory regarding Clara Oswin Oswald. But we’ll get to that.

Clara tells the audience not to fall in love with the Doctor, which is as close to her admitting her true feelings for him as we’ve gotten so far. However, he’s a married man. This struggle – between his wife (River) and the woman she probably views as something close to a mistress – will likely have some kind of role in the episode. Trailer #5 (the awkward tea party scene with River, Clara, Vastra, Strax, and presumably Jenny) seems to support this.

However, it’s the Doctor’s monologue that holds the gold. “[Clara]’s perfect. Perfect in every way for me…She’s always brave. Always funny. Always exactly what I need. Perfect. Too perfect.” What could it mean? Perhaps the next trailer will tell.

Now, the “Next Time” trailer that played right after “Nightmare in Silver:”

Warning: past this point there is some serious theorizin’ as to the nature of Clara, the Great Intelligence, the Whispermen, and the Doctor’s name. Continue at your own risk.

Strax says “die, reptile” to Vastra. Something has turned him against her, and I have a feeling it’s the Whispermen. My guess is that they can manipulate feelings and/or thoughts – potentially feeding off of them – to turn friends against friends and perhaps even convert guys who were previously of the good persuasion to the bad.

Now, on to the real meat of the trailer. The Great Intelligence obviously wants to know the Doctor’s name. We’re not sure why, because we’ve been told time and time again that bad stuff goes down if the Doctor ever reveals this. Perhaps it is the secret that unlocks the meaning of life, the universe, and everything (because 42 just isn’t gonna cut it).

I’m going to make a deductive leap here and say it’s likely that the Great Intelligence engineered the events of “The Snowmen” in a kind of Xanatos Gambit to coax the Doctor out of the shell he created after the events of “The Angels Take Manhattan.” He knows that the only way he’ll be able to discover the Doctor’s name is to lure him to the Fields of Trenzalore, where, according to Dorium Maldovar, “no living creature can speak falsely or fail to answer.” (“The Wedding of River Song“)

Now, this is where Clara comes in. In the TV trailer, Clara says “I was born to save the Doctor.” In the “She Said, He Said” prequel, the Doctor describes her as “too perfect.” So here’s a potential scenario: modern-day, normal Clara sees the Great Intelligence about to triumph over the Doctor – about to find out his name and rain destruction down upon the earth – and artificially placed herself throughout the Doctor’s timeline in order to save him when he needed saving most, and to inspire him to keep fighting. She was meant to die every time. (I’m assuming this is what the glowing pillar of tendrils is all about – her going back in time, somehow splitting her essence to protect the Doctor.) When he has to cross his own timeline, he could be trying to save the previous versions of Clara from destruction after she does this. And then the paradox created by him messing with time catapults us into the 50th anniversary special for timey-wimey goodness.

Have fun with “The Name of the Doctor!”

If you’re interested in more Who-related articles, check out my other episode reviews: “Journey to the Centre of the TARDIS,” “Hide,” “Cold War, “The Rings of Akhaten,” and “The Bells of Saint John.” (My review for “Nightmare in Silver” will be a bit delayed. Sorry! I hope to have it up ASAP.)

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Four Reasons Why the Doctor’s Name Won’t be Revealed in 50th Anniversary Special “The Name of the Doctor”

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1. The show would have to be renamed.

Doctor Who is centered around the idea that the Doctor doesn’t have a real name, just a self-awarded title. If he suddenly got a name, they wouldn’t be able to call it Doctor Who anymore.

tumblr_mm4uqdinNf1s6k3z5o1_4002. The uproar would be absurd.

If the Doctor’s name was revealed, Moffat would have to face the wrath of thousands of angry die-hard fans. People don’t want the mystery to be spoiled.

3. There’s no way the chosen name would please the majority of fans.

People have individual preferences based on a million different factors in their lives. If a name was picked, a vast number of people would not approve of it for one reason or another.

4. It’s much more fun not knowing, and the Moff is aware of this.

-The-Shakespeare-Code-Gifs-doctor-who-33215974-245-200Mystery is what makes people return to movie theaters and television sets, buy new products and go new places and see new things. We love wondering at the enigma that is the Doctor, trying to figure out all that we can about him at every opportunity. Names have power, as noted in “The Shakespeare Code.” Once something is laid out on a cold marble slab, analyzed and defined – then it loses its magic.

So, what will happen instead?

We will find out why the Doctor’s name can never, ever be revealed. The consequences of the mere possibility of the unveiling of his name will be so great that there will be no doubt that it must remain secret.

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Review: Doctor Who Series 7.5 Episode 6: “The Crimson Horror” (Spoilers)

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Doctor-Who-Madame-Vastra-Jenny-and-StraxSince both Torchwood and The Sarah Jane Adventures left the air, there have been slots open for new Doctor Who spinoffs. “The Crimson Horror” gives us a taste of the most obvious – and potentially greatest – choice. With plenty of innuendo to go around and witty one-liners flying everywhere, as well as a certain Sontaran‘s endearing obsession with violence, the return of the JennyVastraStrax triumvirate in 19th century Yorkshire is a witty glimpse into a world that deserves its own series.

doctor-who-season-7-episode-11The beginning of the episode is curiously Doctor and Clara-free, which – although frightening at first – is a refreshing change. We are introduced to the conundrum of the week: the Crimson Horror and its ensuing trail of bright red bodies in the river. An undertaker presents to the team the belief that the last The_Crimson_Horrorimage a soon-to-be-corpse sees is forever burned across their retinas in an image known as an “optogram.” Vastra discounts this immediately as superstition. However, with the help of unexplained (but very Victorian-looking) technology, the eyes of the latest stiff are found to reflect a very familiar face – that of the Doctor himself.

Doooooo-weeeeee-doooooo… Continue reading

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Review: Doctor Who Series 7.5 Episode 5: “Journey to the Centre of the TARDIS” (Spoilers)

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Besides the 50th anniversary special feature-length film/episode 3-D thing, “Journey to the Centre of the TARDIS” immediately caught my attention when scanning episode titles before Series 7.5 premiered. Fans have been teased with the endlessness of the TARDIS since the beginning of Who, and though several rooms have been revealed in the past, “Journey to the Centre of the TARDIS” was an episode that promised to focus exclusively on the interior of the ship that has been a pillar of the show since 1963. Every fan of Doctor Who has their own preconceptions of what rooms the TARDIS holds – myself included – so naturally there was bound to be some disappointment involved. How could a television episode live up to that title? But before we get there, let’s start at the beginning.

doctor-who-series-7-hide-promo-pics-34The Doctor begins the episode by commenting on the hostility between Clara and the TARDIS. This has been a recurring theme throughout the second half of Series 7, and one that will no doubt be connected to the fact that Clara keeps popping up in different times as different versions of herself. The TARDIS seems to react aggressively towards anything with an unnatural timeline, and Ms. Oswald would appear to fit the bill. In previous series, the Doctor’s companion and the TARDIS have had little to no interaction. The fact that this is suddenly reversed is a compelling development. The Doctor is insistent that the two get along, and shuts the TARDIS down to “Basic Mode” so that Clara can fly it.

What piqued my curiosity about this scene was that Clara seemed able to pilot the TARDIS relatively well in the previous episode, “Hide.” No, it was not River Song-level flying, but it was impressive nonetheless. So the fact that she suddenly needs training wheels is somewhat confusing. But I digress.

Screen Shot 2013-05-04 at 6.12.59 PMThe crew of a passing scavenger spaceship notice the TARDIS on their radar and reel it in with a magnetic tractor beam, hoping for loot. This seems to cause the TARDIS to go haywire. Amidst the mechanical havoc around her, Clara notices an egg-shaped metal object rolling across the floor and bends to pick it up – then drops it almost immediately as if burned. The console room shakes and then goes dark.

“Please tell me there’s a button you can press to fix this!”

“Oh, yes, a big friendly button!”

Continue reading

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Review: Doctor Who Series 7.5 Episode 4: Hide (Spoilers)

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The Caliburn Mansion...

The Caliburn Mansion…

...is actually the interior of the Diogenes club!

…is actually the interior of the Diogenes club!

tumblr_mlkk1aHf3I1qaa5c1o1_500

The Doctor has turned into a teenager. Aliens, beware…

The folks at the BBC have done it again, airing yet another episode of Doctor Who on April 20th. Titled “Hide,” this week’s romp through the Doctor’s world centers around supernatural events occurring in and around the mysterious Caliburn mansion, where Professor Alec Palmer (Dougray Scott) and Emma Grayling (Jessica Raine) are investigating the “Witch of the Well” who is rumored to be haunting the place. Emma uses her empathic abilities to reach out to the specter, while the Professor snaps photographs and takes readings on a wide range of odd devices.

The news that Neil Cross would be writing this episode made me rather nervous. After the rather ham-handed grandiosity of “The Rings of Akhaten,” I suspected that he would try to transfer the same techniques to “Hide.” Which rarely, if ever, make a successful ghost story. Episodes are made thrilling and truly frightening notGhostbusters through gigantic plasma spheres with jack-o’lantern faces, but with a creak in the dark room, a shadow passing across a window, a camera angle that gives you the feeling that there’s something right behind you, a brief returns to normality before being assaulted yet again by tense forays into the dark unknown. And, thankfully, “Hide” included all this and more.

Sexual tension you could cut with a butter knife.

Sexual tension you could cut with a butter knife.

The characters were the central focus of the episode, which was a welcome relief from the giant scale of the episodes that have characterized Series 7. The tension between Emma and Alec as they fumble their way through a budding romance is lovely, though Raine’s acting falls somewhat flat at times. However, their relationship offers a mirror to the Doctor-Clara dynamic, as love story signals conflict with Emma’s warning to Clara about the Doctor: “There’s a sliver of ice in his heart.” Which one?

The Doctor does his classic about-face as he has a “Eureka!” moment and runs into the TARDIS with Clara. We see a brief montage of that exact spot on Earth throughout the millennia as the Doctor snaps photographs of the place where the Caliburn mansion was/is/will be. Continue reading

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Review: Doctor Who Series 7.5 Episode 3: Cold War (Spoilers)

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On Saturday, April 13th,  the newest episode of Series 7.5 of Doctor Who was aired (Sunday the 14th, for those hailing from the United States). The story takes place on a sinking Soviet submarine (alliteration FTW) during the Cold War. The quarters are cramped and tensions are running high as the vessel slowly fills with water and an Ice Warrior named Skaldak – who believes himself to be the last of his kind – runs rampant. Or perhaps slithers, as he does in fact vacate his armor and travels through tSkaldakhe sub making very Basilisk-y rasping sounds. This is the first time we have seen an Ice Warrior without a helmet, and the face is quite cool (though depressingly humanoid, as most TV aliens are). The clawed hands reaching down from the rafters (do submarines have rafters?) were exceedingly cheeseball and would have been right at home in an early episode of Buffy the Vampire Slayer or Series 1 of Doctor Who.

MUSINGS

I enjoyed the comparison of (and contrast between) the “real” Cold War – the period of political and military tension between the Western Bloc and the Eastern Bloc taking place in the outside world of this episode – and the “cold war” occurring within the sub, which was in essence a game of chicken between several trigger-happy (cattle prod-happy?) naval officers, a really cranky Martian, an ages-old Gallifreyan and his 21st-century companion who were both anticipating Vegas and were instead confronted with a wet, cramped submarine and a lily-livered TARDIS…and twelve nuclear missiles.

ice-spaceship-1-1The ending was a charming example of deus ex machina – an Ice Warrior spaceship appears, looking very much like the classic interpretation of a flying saucer (except with some bitchin’ purple lights lining the edges). It then draws the submarine up to the surface of the ocean with a tractor beam and Skaldak beams out, refraining from remotely blowing up the submarine and showing everyone that yes, friendship is magic.

The Doctor-Clara dynamic is fantastic – Matt Smith and Jenna Louise-Coleman play off each other extraordinarily well. Most characters have a chance to throw out several grintacular one-liners, and the script is intelligent and smooth. (Thank you, Mark Gatiss.) The professor, played by David Warner, is an endearing refresher as a kid stuck in an adult’s body. (His one question to Clara upon discovering that she is a time traveler is “Ultravox – do they spilt up?” Love that guy.) Also, was it an accident that Clara hums “Hungry Like the Wolf” by Duran Duran when she gets nervous? Bad Wolf allusions, anyone? There are rumors flying everywhere about the 50th AnniversarDoctorLaughFunnyy special/series finale, so this could be relevant or just a red herring. Also, the Doctor seems to be carrying around a doll that looks very much like Rose Tyler. In the final scene, the Doctor finally explains why the TARDIS mysteriously disappeared – he implemented a protocol called HADS, or Hostile Action Displacement System, which teleports the TARDIS out of danger – and it was brilliant. Plus the Doctor gets to do annoyed-little-kid facial expressions. Smith’s acting is fantastic as always, and he and Clara defeat an enemy without violence, which was nice. (This was also the case with “Rings of Akhaten,” and I appreciated it.) However, the fact that Clara let the Doctor tell her to stay put was just infuriating. No self-respecting companion ever heeds the Doctor’s words. Ever.

So, all in all, a very well-scripted episode that could have had more dramatic tension, but in the end was satisfying and gave us several red herrings.

Read my dissection of two trailers for “Cold Warhere, my review of Episode 2 “The Rings of Akhatenhere, and my review of Episode 1 “The Bells of Saint John” here.

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Two Trailers for Doctor Who Series 7.5 Episode 3: The Cold War

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Doctor_Who__Cold_War___Ice_Warrior_preview_pictures_and_trailer

A classic villain is brought back in the upcoming episode of Doctor Who: the Ice Warriors! (Hence the title “Cold War.”) More specifically, Grand Marshall Skaldak. (This particular Warrior is not from Classic Who, but the concept of “Grand Marshall” is.) Anyway, let’s jump right into the trailers!

This first one is the “next time” trailer shown after “The Rings of Akhaten.”

There’s a great deal of information encapsulated in these 36 seconds:
the Doctor and Clara are aboard a sinking submarine armed with no less than 12 nuclear warheads and an angry Ice Warrior who evidently is intent on detonating them all. The last cut is of a scaly hand reaching towards a very smug-looking red button, whose purpose is presumably to trigger the missiles. We also see a rather bleak shot of Clara’s head lolling, eyes closed, looking very cold and wet and not very alive. Random aside: the premise reminds me very much of the Angel episode “Why We Fight.”

The next trailer on the list is the TV spot.

New information in this one: the Doctor was aiming for Las Vegas when he lands in the sinking submarine. Also, he seems to know who Skaldak is, proclaiming “this one is [dangerous]. He’s got nothing left to lose.” This could reflect a level of personal involvement with Skaldak’s plight. Or maybe Skaldak has just gone insane, and thus has no qualms with nuking Earth.

The description of this video reads: “On a Russian submarine in 1983, a frozen alien warrior is waking up, just as the TARDIS materialises.” So, Skaldak was dormant for who-knows-how-long before waking up, possibly as a result of the TARDIS’ rather hasty landing.

All in all, this episode looks like it has the potential to be pretty great. Neither of the trailers include much dialogue, but hopefully the writers have bounced back from the unimaginative script of “The Rings of Akhaten.” If you’re interested in more Doctor Who-related posts, check out my review of Series 7.5 Episode 1 (“The Bells of Saint John”) here, my review of Episode 2 (“The Rings of Akhaten”) here, and an early dissection of the trailers for Series 7.5 here.

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Review: Doctor Who Series 7.5 Episode 2: The Rings of Akhaten (Spoilers)

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First of all, I’d just like to make the point that this episode has been getting way more negative reviews than it deserves. “The Rings of Akhaten” is a rollicking space-y adventure complete with Star Wars-ian alien fauna and some seriously awesome visual effects from the masters fromp017c9sc The Mill. The story structure is not revolutionary, but neither is it absurdly nonsensical like several of its predecessors. (“Fear Her,” anyone?) I believe the word here is ‘dependable’ – Moffat took a framework that has succeeded in the past and re-worked it. That said, there are several plot holes and gaps of logic – flying a space motorcycle through the void without a space suit, for one. Not to mention several occurrences of underwhelming dialogue. Before we get there, however, let’s backtrack a bit…

SUMMARY

The episode begins with the Doctor observing the meeting of Clara’s parents – a clichéd but ultimately sweet rendition of the “dramatic rescue of the damsel in distress” trope…except in this situation, Clara’s father is the damsel. Smacked in the face with a maple leaf, he decides it’s a great idea to meander into oncoming traffic flailing his arms about. His future wife pushes him out of the way in the nick of time…and true love ensues.

rings-akhaten-dave-ellie-4Cue montage of Clara growing up (come on, we haven’t had one of those in ages). We see her mother giving her the “101 Places” book we saw in “The Bells of Saint John” (and now we know the origin of the leaf that constitutes the first page). Her mother then inexplicably dies (hopefully we’ll learn more about that later, as it is a major character shaper).

Cut to present-day TARDIS, and the Doctor is asking Clara what she would like to see. There is ssssssssssaaaaaaaaaaaa_zpsc13a1018some fierce buildup as she ponders this question, and though her answer – “something awesome” – seems somewhat anticlimactic, the Doctor responds with his usual enthusiasm and begins dancing around the TARDIS console while pressing buttons and pulling levers in the standard takeoff sequence. (Interestingly enough, the order in which he does it all is actually the same episode to episode. And yes, I’ve double-checked this.)

doctor-who-rings-of-akhaten-overnights-mainThe Doctor takes Clara to the Rings of Akhaten – seven planetoids orbiting a gas giant. Their visit coincides with the Festival of Offerings, which the Doctor passes off as the alien version of Pancake Tuesday. In reality, the Festival “celebrates” the aligning of the planetoids with a live performance by the Queen of Years, the young Merry GejelhMeet_the_brand_new_Doctor_Who_aliens_from_The_Rings_of_Akhaten (played wonderfully by Emilia Jones). The Old God – christened “Grandfather” – resides in a golden pyramid on an asteroid, and the song is meant to placate him, acting as a lullaby. We see Clara in her “governess” role again as she comforts Merry and assures her that, despite her fears, she will not fail her song.

Merry is stolen away by Grandfather via tractor beam while she is singing and is taken to the pyramid. The Doctor and Clara arrive just in time (riding 0aforementioned nifty space motorcycle, paid for with Clara’s mother’s ring because of its sentimental value) to convince her not toThe Rings of Akhaten sacrifice her soul. Then, just as Grandfather is about to

escape his glass cage… Continue reading

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Music for a Sunny, Neekly Day

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Today is the first cloudless day I’ve seen for far too long, and in a vitamin D-induced fit of euphoria have decided to give you a list of music I’ve been playing throughout the day that reflects my mood. Ready?

517ftTJumaL._SL500_AA300_Mr. Blue Sky by Electric Light Orchestra (lyrics)

There is no better song to describe my current situation.

Sun is shinin’ in the sky / There ain’t a cloud in sight / It’s stopped rainin’ / Ev’rybody’s in a play / And don’t you know / It’s a beautiful new day (hey, hey)

 

A Beatlesque rock anthem with excessively upbeat backing and chordal structure. Plus, it was featured in Doctor Who Series 2 Episode 10, “Love and Monsters” as main character (and avid ELO fan) Elton Pope’s favorite song. There’s a scene at the beginning of the episode in which he is vlogging and starts to dance to it in his bedroom, which was quite funny. And stop hating on Love and Monsters! Yes, the Abzorbaloff was atrocious. But that’s not what the story was about. Plus, Moaning Myrtle!

cd-coverI’m Gonna Be (500 Miles) by The Proclaimers (lyrics)

Listening to this song, I feel…enlivened. It’s got a simple chord pattern and repetitive lyrics, a bouncy tempo and Scottish accents. All in all, it’s a cheery song that adds a smile to the day.

Plus, it was featured in this awesome Doctor Who Cast and Crew video, which was part of the David Tennant and Russell T. Davies wrap party.

tumblr_mgxqdoS7Gh1r2st53o1_coverGood Morning Sunshine by Alex Day (lyrics)

My favorite part of this song has to be the backing chorus. There’s a touch of sadness in it, but that only amplifies the overall warmth of the song.

     http://youtu.be/W7q1bHK8te0

Good Day Sunshine by The Beatles (lyrics)

All right, while not technically a neeky band or song, the Fab Four still deserve a spot on this playlist with “Good Day Sunshine,” a poppy tribute to love in the sunlight.

  

This Isn’t Hogwarts! by Hank Green (lyrics)

Though the first words of the song are “I hate this place,” the song is quite fun and it’s just awesome to see Hank rocking out about Hogwarts. A bit less playful and somewhat more angsty than the previous four songs I mentioned, “This Isn’t Hogwarts” really represents America’s public school system very well. It’s also just a great song for neeks, Nerdfighters, Harry Potter fans, and people who enjoy an amusing, well-written song.

Primeday by Teddiefilms

This parody of Rebecca Black’s “Friday” has got to be the best remake I have ever seen of an absolutely terrible song. Take “Friday;” remove all tween romance, high school, and drama; add Star Wars and small chubby dude playing Leia, and what do you get? The masterpiece of modern YouTube that is “Primeday.”

That’s all! I hope you enjoyed my list of several songs that embodied today in all its sunshine-filled glory.

 

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